By Walter Farrington Moses
Paintings teachers and paintings scholars in all places have lengthy sought a truly awarded direct-to-the-point anatomy which might meet their recuirements, from the point of view of the artist with the thoroughness of the medical professional. «Artistic Anatomy» is the reply to this call for. It comprises 147 separate drawings exhibiting muscle and bone constitution and their courting toeach different. those drawings are exeptional of their straight forward presentation. Consise but entire causes are came upon on each one web page contrary the drawings. A common advent and a word list entire the anatomical info.
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Additional resources for Artistic Anatomy
As soft, red-rose petals but forms of THE The the area that lips, we should MOUTH consider as that of the the space from the upper from the lower lip to lip to mouth comprises the nose, and the space the upper edge of the chin. The apparently complex ear form may be suggested by studying the few important convolutions and eliminating all others. Don't destroy the essential solid tubular form of the neck with too and muscles. Set the tube firmly between the shoulders and place the head strongly on the neck column.
The figure and architecture and in such terms before refinements are added, making it human it you arrive into a it at the point "human" is is a well where personality. are: A sphere for the head 2. A column, widening slightly to the base, about one 1. half the height of the 3. The upper area of the torso; from the shoulders w aistline to the head r it tapers as shown 4. Waistline widening to the crotch and hips 5. Two tubes for the thighs, tapering to the knee joints 6. Two tubes for the lower parts of the legs widening from the knees to the calf and then tapering the ankle 7.
This does not preclude the study of the figure and the need to learn some basic structural truths. portant for the student to the tiniest bone structure ligament. Here we and proportions based on taste, These truths are more im- know than a thorough knowledge of and the name and location of each shall follow certain basic structural patterns to the point whim and where departures may be made invention. MOVEMENT / Let's take the joined basic figure in action. we have made and make it move The human body is capable of controlled muscular of infinite subtlety.