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By Natalia B. Teteriatnikov

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Extra info for Mosaics of Hagia Sophia, Istanbul: The Fossati Restoration and the Work of the Byzantine Institute

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Brennan, diary, 1940. On uncovering the church fathers in the tympana, see W. L. 2 (1951), 89-93. 40 Whittemore incorporated in his writings the reports written by A. Frolow and other staff members, which were based on the conservators’ notebooks. For other references on Byzantine mosaic 49 50 52 South gallery, Emperor John II Komnenos and Empress Irene The emperor is shown in the act of donation, presenting a purse of money to the Virgin and Christ child. The empress holds a scroll. The portrait dates to ca.

60 58 Acc. no. 137. 59 Dumbarton Oaks’ records indicate that Robert and Mildred Bliss sent to the Byzantine Institute a contribution of $2,500 for the year 1940. They also included a check for $2,500 to complete payment for a copy of an emperor before Christ enthroned (Fig. 65). The panel was on display in the Dumbarton Oaks permanent exhibition during the 1960s. 60 Painted copies of two mosaics, the Virgin enthroned with Christ child in the apse and the archangel (Figs. 37, 49), were again displayed in the Metropolitan’s 1997 exhibition The Glory of Byzantium.

Oaks, Photograph and Fieldwork Archives, R. Gregory, 1939, notebook 11. 54 J. M. Brennan, diary, 1940; cf. Dumbarton Oaks, Byzantine Photograph and Fieldwork Archives, W. Gregory, diary, 1939, notebook 9. 53 Dumbarton 61 62 63 67 Central nave in the morning, looking east All the architectural elements of the central nave focus on the unified space that was lit by windows in the dome, exedras, and tympana. 23ff, tr. Mango, Art of the Byzantine Empire, 74). (photo: Byzantine Institute) Preservation through Imaging Photographs and Films.

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